The body coordinates
the hand and eye,
                 imagination,
the heart and mind.

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See also "The image interpolates..."

"Literature is equipment for living."
Kenneth Burke

An education consists in the arrangement of lenses and levers around an individual. It establishes the perspective from which we view the world and the apparatus through which we make our history. It lays out the manifold paths through which all light comes to us, and all weight bears upon us. It focuses our thinking and locates our feeling. It establishes the place we inhabit. It engenders the way we proceed.

The eye is a lens,
the arm, a lever.

To the focus of vision,
the body joins
a locus of motion,

a perspective, to
an apparatus.

A poem has a subject,
      some private sorrow or
      distant woman,
but it is not about her
and is not involved
in anybody's grief.
Not even yours, dear reader,
who are so smugly certain
      that she won't come back.
The poem doesn't touch you.
It just lays out
      the private distance
      between men and women
and their broken hearts.

Likewise, though philosophy sometimes has an object, it is neither here nor there. You don't care about a solitary thing. It's the thinghood of the thing, its likeness to every other blasted thing, that draws your metaphysic in. But not hers. "If you've seen one thing, you've seen them all," she said. I have been of two minds about her ever since.

A poem extricates itself
from history, frees its subject
from the policies
that govern her face.

A philosophy implicates itself
in the world, binds its object
to the sciences
that study her smile.