Toward a Scientific Interpretation of the Default Object

Jasmine is a complete object.

Her language is based upon part of the difficulty.
A few additions (protective devices, danger signs, barricades,
an enclosed chute) make it a building, a bridge,

a highway, etc.

Racine, with his unerring good taste,
knows the danger of consistent understatement.
E.g., "This task is not for the fainthearted."

But, ahh, there is fun in danger, isn't there?

The artist: first a rough version, then anxiety
to wrap them up and take them from this place.
"A partial object is not a complete object."

And you can pretty much rely on "to thine own self be true".

A one-fourth human being is
not; and there is a danger in choosing
a sense object as the ideal.

(Even Phaedra cannot be a complete object of horror.)

The meaning of a 'danger' object
is merely the startled jump
which constitutes responses

to a complete object in all its setting.