Sunday, July 16, 2006


This is one of the more concrete pangrammatical homologies I've ever constructed: the lens is to knowledge what the lever is to power. Both are instruments that focus experience. The first, by installing a very specific experience before the eye (an appearance), the second by installing a just as specific experience before the hand (a surface). These are installed as possibilities of, respectively, perception and action.

The instruments are supplemented by mirrors and screens (to the define the field of vision) and walls and ramps (to the define the field of motion). On this basis we can imagine two vast, connected but distinguishable, "equipmental contextures" or "Zeugzusammenhangen" (as Heidegger might call them): the apparatus of perception (a system of lenses, etc.) and the apparatus of action (a system of levers, etc.).

The apparatus of perception (surveillance) defines what it is possible to see, determining the structure of appearances.

The apparatus of action (leverage) defines what it is possible to do, determining the structure of surfaces.

It is perhaps unnecessary to note the connection to "media". But it should be added that intuition and institution, as pangrammatical elements, are defined as "the media of immediacy", i.e., that through which knowledge and power are immediately present in our lives. They are the sense in which experience is "given" to us, and the motive by which we are "taken" with it.

Finally, note that the traditional (i.e., Kantian) theme of philosophy is the transcendental logic of intuition. The homologue of this theme belongs to poetry: the immanent passion of institution. And this is why politics is to poetry what science is to philosophy.

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