"Suicide is a temporary solution ... The real, interesting challenge is to solve the problem within the context of remaining alive." (Woody Allen, cf. Leonard Cohen.)

Wittgenstein compared the depth of philosophy with the depth of a grammatical joke.

Cummings used burlesque as a paradigm for poetry. "Would you hit a woman with a child?" He'd ask. "No, I'd hit her with a brick." He said he was "abnormally fond of the precision which creates movement."

Now, stillness is to philosophy what movement is to poetry. Both, however, are fond of precision.

The philosopher stills the mind to reach a very precise depth. The poet moves the heart...

What is to poetry as depth, to philosophy?

Let's think it through. Depth is a spatial category. And space is to philosophy as time, to poetry. Philosophical language shows us precisely where we are, gives us the locale. Poetic language sets the tempo, lays down precisely when it is. What is to time as depth is to space?

The poet moves the heart
precisely to a beat.

In the stillness
of philosophy
the
heart
sinks.

(The philosopher
stills the mind
to a precise depth.)

The mind scans
the motion
of the poem.

Now brace yourself for the etymological punchline: 'scansion (n.), 1670s, "action of marking off of verse in metric feet," from Late Latin scansionem (nominative scansio), in classical Latin, "act of climbing," noun of action from past participle stem of scandere "to climb" (see scan (v.)). From 1650s in English in literal sense of "action of climbing up".'

Wittgenstein's ladder is a poem.

In poetry (specifically, love poetry), escape vivacity is the minimum life force needed for a free woman to escape from the "mysterious carriage" of a man's body that conceals the defects of his mind.

Indecency interrupts
our institutions, as
dishonesty undermines
our intuitions, but

justice sometimes demands
a disruption of order.
Truth sometimes requires
we overturn the doctrine.

Emotions are
the fine grain
of social relations,
moral fibers,
the texture of time.

Concepts are
the grid lines
of material position,
causal nexuses,
the structure of space.