We wanted to believe in a silent writing. We wanted to believe in a reading that evoked no sounds, only images, so that the text could never be simply read out loud. To recite any text you would first have to form its ideas in your mind. Only then would you choose the words of the spoken language to represent the thought, just as one might recount a memory, or describe a passing scene. The signs on the page could not determine the sounds in the air. Between the poem and the performance there would always be a picture. There would be no reading without imagination.
